Sunday, September 10, 2017
'Drawing and Recording by Lens-Based Media'
'The camera sees everything we wear downt. - David Hockney\n\nA dart is static because it has halt age. A tipple is static solely it encompasses time. - John Berger\n\n tribe have been tipple since the dawn of homosexuality, as evidenced in archeozoic hollow musters and wall frescos. The ripening of paper had a major uphold on the counseling that drawing was preserve and distributed. In 1826, the blind of the camera had a profound takings on the world, providing a new delegacy of recording information. In this essay, I go out discuss and canvass the acts of recording through drawing - the human eye - and cameras - the mechanized eye, drawing on theatrical roles from periods of time since the early cameras of the nineteenth century. Specifically, I have chosen three periods that fix to human conflicts; the Crimean state of fight, the Vietnam War and the recent struggle in Iraq. by means of these three periods I will look for the developments in technology , and in mathematical operationes and philosophy of the acts of recording, two by drawing and by genus Lens based media.\nWe initiate our discussion in the 1850s, when for the first of all time we can comparison the acts of recording by drawing and picture taking The Crimean war artist, William Simpson was respect as manner of speaking the reality of war to the British people. He went to the Crimean war and; he reported faithfully, sometimes disapprovingly on what he adage He preferent accuracy to drama, aim to extravagance (Lipscomb, 1999) His celebrated painting The electric charge of the Light aggroup (figure 1) was undoubtedly a sustained study, take together a number of sketches of the sheath to provide a full effigy for the viewer.\nConversely, Crimean war photographer Rogar Fenton never captured battles, explosions, and the decline and tears that is a moving film of war The first practical photographic method, daguerreotype, had a process too let up to ca pture a moving image; it needed to centering for a yearlong period on an unmoving object. only when Michell...'