Prufrock in Progress

Prufrock in Progress In A passionateness Song of J. Alfred Prufrock by T. S. Eliot, the main acknowledgment, J. Alfred Prufrock bookings with his identification in the world. T. S. Eliot comprises this character with traits that any service slice organism can relate to, like fear and desire, while ironic ally characterization the character as a monster. This dueling monster lives within Prufrock. His desire to be accepted is bogged d suffer by his un exemplary egotism-esteem because of his lose of compassionate births. Prufrock is a relatable character at best, except his self-image ruins his potential of connecting with other people.Some scholars conceptualize that Prufrock is yearning for a long wooly delightr by knocked surface(p) his have sex melodic phrase, but most evidence shows that he is in confliction with himself. Sistani writes Internal Anxieties and Conflicts in The LOVE SONG of J. ALFRED PRUFROCK and states that Prufrock is searching for a fe manly ch icaner in his expression of A Love Song. Sistani believes that J. Alfred is experiencing internal conflict about a do it source and the gather up of shelter through a family with another woman. This reading material poses irony continuously established throughout the poem because Prufrock does not even love himself.Sistani explains this insecurity by analyzing, The article concludes that the male characters anxieties and conflicts ar all the results of a past unacceptable buzz offing situation during his childhood, (Sistani 478). This accusation is made from empty evidence that he desires a womans affection simply because he did not perpetually have it. This shows that J. Alfred Prufrock is in a habitual rule of looking for love in all the wrong places. This interpretation by Sistani suggests that J. Alfred is speaking out in the desire for a loving partner.Sadly, Prufrocks relationship with his mother was disappointing and unfulfilling, therefore he longs for someone to f ill this place. regrettably, his lack of love and acceptance for himself disables him from relating and loving or even accepting others. Prufrock speaks of attending a party in which none of the women are healthy enough for him. He talks of their skirts hitting the floor and is infatuated by the women, but past ironically changes his potpoint stating, And I have know the eyes already, known them all- The eyes that fix you in a ormulated phase, And when I am formulated, sit down on a pin, When I am pinned and wriggling on the wall, past how should I begin? (Gwynn 623). Prufrock is explaining how women prevent him from cosmos his square self. How the presence of them makes him come up like an insect being pinned on the wall examined and preserved for earthly concern to review and criticize. He deems the question of how to begin the expression of self when all women hearm to want is a fixed idea of what a man should be, and that is not what J.Alfred is. Sistani evaluates As a dependent character with not good enough mothering, Prufrock, like a child, is always leave behinding to attach to an orthogonal loved endeavor to achieve support and gratification. This need for attachment, to relate to the sought after object is constant in Prufrock, (Sistani 481). The poem in itself is a jutting of how Prufrock views himself in comparison to how the reader or another person would view him. He projects only what he wants to be known, and leaves the rest as mystery.He purposefully reveals only what he is comfortable revealing, which will never lead to a sustainable relationship. Sistani concludes in her article, Prufrock, with unresolved internal conflicts and anxieties still dreams of the women to attach to in order to fulfill the need for security and comfort, (Sistani 481). This analysis believes that Prufrock himself feels he will not be able to fully express himself or be accepted without a female partner to lovingly accept him first. Unfortunately and i ronically, the rhythm persists because J.Alfred Prufrock does not ever have the epiphany that his entire misery is derived from his lack of confidence and love for himself, not from a lack of an remote object or person. On the other hand, Human Voices in Silent Seas A interpretation on Eliots Love Song by Videnov uses a psychoanalytic approach to interpret the poem sang by J. Alfred Prufrock. She expands on his internal conflict of worthiness. Throughout the poem, Prufrock battles with the public and private sides of himself, and whether his thoughts and feelings are worthy of expression.Videnov explains this contrast in character by stating, Through jarring and flaccid transitions, Eliot contrasts the privacy of observation, insight, and dream with the social functioning of man, his judgment by others, and his appraisal of himself as reflected in the eyes (55), thoughts, and words of others. (Videnov, Valentin A. , 126). Videnov also analyzes the internal and extraneous infl uences on J. Alfred Prufrocks psyche. The internal conflict that J. Alfred Prufrock exhibits throughout his love song is evident in his lack of self-confidence that leads to a feeling of gulf with the human population.On one hand, Prufrock expresses the desire to cultivate a relationship with the external world, or a lover yet on the other hand, he lets his insecurities define him and refuses to let himself engage in relationships with other people. Videnov explains this by describing Prufrocks quest, a quest for belonging, the examination of which could yield the message of the poem and the last optimistic idea of love, as the title suggests, lurking behind the apparently tragic finale, (Videnov, Valentin A. , 126).This disceptation establishes the irony in the desire to fulfill a excursion of love, yet the inevitable misery Prufrock lives. The psychoanalytical dynamic of the ego and the true self is brought through in Prufrocks character. T. S. Eliot repeatedly uses the pronou ns, you and I, to describe this relationship of the ego and true self that Prufrock experiences. In the interpretation of Human Voices in Silent Seas A Reading on Eliots Love Song, Videnov declares that these dickens entities are both representative of J. Alfred Prufrock himself. You represents the public face of Alfred J.Prufrock, the ego and I represents the true self, the self that wants to be expressed but is prevented by Prufrocks fear and insecurity. The opposing characters within Prufrock are further extended through the symbols of afternoon and evening. The imagery of afternoon is a representation of the light, the desire to express, and the need for connection. The evening represents a darkness, or comfort in the habitual pattern of the introverted mind and its self-destructive thoughts. Prufrock expresses his mental state when he says, the evening sleeps so peacefully. (Gwynn 624) In saying this, Prufrock is confirming within himself his comfort in the thought pattern of darkness. This leads him to question, Would it have been worthwhile? (Gwynn 625), referring to the desired human connection he wants deep down. He truly believes that expression of the self and what he, as an individual has to say and conduct, are not going to be accepted by others. Because of his fear of expression, the singer sings a song of love, but predominately and more ironically, a song of sadness. He has continued his pattern of introversion to such an extreme that he suffers from continual lone caperss and disassociation.He proves this dissociation when he ends the poem with an insight of his fantasy world of mermaids where he retreats, when he is lonely. He looks upon the beautiful creatures in awe of their unifying world yet wint even allow himself to be happy in his fantasy. He states this saying, I do not think that they will sing to me, (Gwynn 625). This prevents him from daydream himself to a healthy and loving relationship with himself, or anyone else. The lin es let us go (Gwynn 622) used repeatedly are incredibly significant in this poem. Us being the internal representation of the two conflicting sides that hold out within Prufrock, as he yearns for release of this horrible cycle. What J. Alfred Prufrock does not learn is that every(prenominal) individual goes through this experience of questioning self worth. The vestigial ironic theme of this poem is the relation of the reader to Prufrock himself. This is a watchword of the main character to emerge from the cozy seclusion that he feels a bonding of the afternoon and evening, the light and dark, inner and outer a battle for the merging of duality to become a union.In an overpower question in The Love Song of J. Alfred Prufrock by Xue, the main question that J. Alfred Prufrock is consistently in conflict with is whether or not to reveal his true self. Prufrocks dueling character is established through the language of the poem. The internal conflict of Prufrock is addressed thro ugh repetitive language. Prufrock is trying to express some deeper philosophical insight or disillusionment with society, but fears rejection. (Xue 79). This fear causes his misery. Prufrocks character is dominated by his uncertainty.The repetition of the lines, there will be time, (Gwynn 622) pose irony in the poem. Prufrock is hopeful that he will be able to truly blossom forth up to the world in time, yet currently he is perpetuating his cycle of loneliness by assuming that these desires will naturally unfold without regarded effort. Xue states this in saying, The phrase There will be time, repeated five clock between lines 23 and 36, represents his hesitation and delay, in order to conceal his inner anxiety to the world, (Xue 80).Essentially, Prufrock is only happy when he is alone with his thoughts because there are no external influences to judge him, yet this is also his cause of misery. raillery is also addressed in the you and I (Gwynn 621) characterization of Prufrock. Xue states the psychoanalytical interpretation of these pronouns, In the poem, Prufrock is divided in two selves. One is persuading Prufrock to ask the overwhelming question, while the other is trying to prevent it, (Xue 82). Prufrocks soul really desires is the opposite of what it endures. At the root of his inability to express is his insecurity.Prufrock asks, Do I dare Disturb the Universe? (Gywnn 623) which is direct evidence that Prufrock has austere lack of self-confidence. J. Alfred directly articulates his anxiety about interaction by describing his unlikable physical attributes. He quivers in the thought, With a bald spot in the middle of my hair- They will say How his hair is growing thin (Gwynn 623). This statement is directly in connection with Prufrocks physical insecurity, as come up as his emotional insecurity because of his self-image. He uses this as an excuse for his anti-social behavior.He manifests this interdict expression of self by bolding stating that if he were to share with another he would, Die with a dying fall, (Gywnn 623). This self-conscious attitude and fear of being mocked for this truth is the entire reason for J. Alfred Prufrocks cyclical misery. He does not love himself therefore, he cannot find or receive or the love of another. If he never learns to share his truth, he will never record the beauty of human connection. The reality of how much Prufrock shares about himself is shown in the line, To construct to meet the faces that you meet to murder to create, (Gwynn 622).The real self or I, as Videnov described in Human Voices in Silent Seas, is lost or murdered in society to create a ridiculous self or alter ego that functions in society. Another line stating this ego-oriented society and repeating the symbol of darkness reads, the evening spread out against the sky, (Gwynn 622) which refers to the apparent darkness of all humans all hidden low the masks of ego. Yet, if J. Alfred Prufrock understands this is a b attle of every individual, he would be able to relate. In conclusion, it is J. Alfred Prufrocks choice to live in misery.If he were open to see himself as a mirror image of others he would realize that every individual has insecurities of their own. Therefore, I agree with scholars Videnov and Xue in the psychoanalytical approach to J. Alfred Prufrock battling with his own ego versus the exploration and expression of his true self. If he deemed himself worthy of external expression then he would finally be able to share in love with himself and in turn, the rest of humanity. Works Cited Gwynn, R. S. Literature A Pocket Anthology. 5th. New York Pearson Education, Inc. , 2012. 21-625. Print. Videnov, Valentin A. Human Voices In Silent Seas A Reading Of Eliots Love Song. Explicator 67. 2 (2009) 126-130. Academic wait Complete. Web. 10 Nov. 2012. Sistani, Roohollah Reesi. Internal Anxieties And Conflicts In The LOVE SONG Of J. ALFRED PRUFROCK. European Journal Of Social Science 17. 4 (2010) 478-489. Academic Search Complete. Web. 27 Nov. 2012. Xue, Haiqin. On An Overwhelming Question In The Love Song Of J. Alfred Prufrock. Canadian Social Science 5. 2 (2009) 79-82. Academic Search Complete. Web. 10 Nov. 2012.