Seven, The movie Essay -- Film Review Moie Essays

Seven, The movie Ernest Hemmingway one time wrote, the world is a fine place and worth fighting for, I agree with the second part. The movie Seven ends with that quote stated by pass, attempting to justify the many moral dilemmas touched upon by the movie exclusively mainly to bring the character of somersault and the audition back to the beginning. The dimension of the characters that the quote creates between the beginning of the movie and the end would have been preoccupied if the director David Fincher would have gone with the original storyboard ending. The beginning sequence does a great deal in showing the audience the personality of the cardinal main characters. It fades in to Somersets apartment where we match a medium-long shot of Somerset over the sink. He is not yet straightaway for work. It cuts to a medium shot of him looking in a mirror, adjusting his fix and collar very meticulously and yet as if he has through with(p) this many a time before. The camera s hoots the dresser top where Somersets personal items (keys, badge, pen, eyeglass case) are set, side-by-side, in order of their importance, in which he picks them up one by one. The camera cuts to the bed, neatly made, where his go coat lies, precisely placed. He picks a piece of lint we cannot really see off of the coat before putting it on. Somerset has said naught in this scene and yet we have already deciphered the character of person he is a very neat, well-organized, meticulous person whose lifespan seems to evolve around routine. With Somerset turning off his lamp, it fades into the darkness of the close scene, focusing on the large man lying face set down on the floor dead. It cuts to a long shot of Somerset behind walking away from the light, looking around the room and stopping to detect what was on the refrigerator. When Somerset asks the other swipe if the child saw the crime, the cop rudely replies, What kind of fucking question is that? You know, were all gonn a be real glad when we get rid of you, Somerset. You know that? Its constantly these questions with you. Did the kid see it? Who gives a fuck? Hes dead. His wife killed him. Anything else has nothing to do with us. This quote does two important things for the character of Somerset. First, it verifies our ideals of Somerset from the previous scene. His eye for detail entails us to conclude that he is a very skilled detective. It also shows t... ...t coincide with the final ending, creating symmetry that the audience can readily grasp, unlike the storyboard ending. The idea of original sin lies at heart the characters themselves, forming a bond with the audience that it depicts. Works ConsultedBrown, Royal S. Seven. Cineaste. 22.3 (1996) 44-47.King, Neal. Heroes in problematical Times Cop Action Movies in the U.S. Philadelphia Temple University Press, 1999.Macek, Steve. Places of Horror Finchers Seven and Fear of the City in Recent Hollywood Film. College Literature. 26.1 (1999) 80-97.Natoli, Joseph. hurrying to the Millennium Film and Culture 1993-1995. Albany State University of New York Press, 1998. Rubin, Martin. Thrillers Genres in American Cinema. New York Cambridge University Press, 1999.Se7en. By Andrew Kevin Walker. Dir. David Fincher. With Morgan Freeman and Brad Pitt. New Line, 1995. auxiliary Material (Disc 2). DVD-ROM online content.Walker, Andrew Kevin. Seven Production Draft Screenplay. Script-O-Rama. Online. America Online. 11 Nov. 2001.